They'll be entering a buyer's market, meaning there are fewer buyers than sellers.“The 1970s were a time when IDS Center was rising from the ground, Nicollet Mall was still new, and lots of change was coming to Minneapolis,” Tennant said.
In the idiom of real estate investors, they are "flipping" the house and envisioning the buyers as a family that wants every comfort and convenience and is willing to pay heartily for the privilege. On Wednesday, Gerlach was in the process of choosing a real estate company from the several that have been competing to market the house, which will be offered for sale in the next few weeks.Īn English teacher for 38 years, Gerlach said he, his wife and her brother decided to pursue the venture as simply "something new" to do.
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Indeed, the fictional house included Mary's wacky friend, Rhoda Morgenstern, who lived in an attic apartment, and pretentious landlord Phyllis Lindstrom, who lived in the main part.īack in those days, the windows to Mary's apartment were actually the front of an unfinished attic, but the Maurers remodeled the area into a home office and returned the entire house to a single-family dwelling. The first owner was Spencer Davis, president of a farm implement company.įor a while, the house was made into a multi-dwelling building. It was designed by Edward Stebbins, the architect for Gethsemane Episcopal Church in downtown Minneapolis and many school buildings. The home's five fireplaces are enveloped by marble.īut genteel pieces of the past remain, most prominently a sweeping mahogany staircase that was an imposing feature of the house, which was built in 1878 and embellished in 1892. The expanded kitchen features four ovens, two refrigerators, two dishwashers, an icemaker and a 5-foot range top. The third-floor space - what the Gerlachs call the "Mary Tyler Moore Suite" - includes a media room with built-in speakers flush with the walls. It has exercise, sauna, crafts, office and billiards rooms and servants or nanny's quarters. The 19th century limestone and tan-clapboard house now has eight bedrooms, two more than before, and nine bathrooms, three more than previously. It had been owned since 1988 by former Minneapolis Institute of Arts Director Evan Maurer and his wife, Naomi.ĭuring the Gerlach's 15-month stewardship, the large-yet-genteel home has grown from an already capacious 6,461 square feet to 9,161 square feet, gaining a kitchen four times larger than its predecessor and virtually every creature comfort that someone paying north of $3 million would expect. Gerlach declined to name their purchase price, but Hennepin County property records show a $1.1 million transaction. "The fact that it was the Mary Tyler Moore house was an interesting curiosity, but the major fact is that it's a beautiful house in an extraordinary location," said Gerlach, who bought the house in spring 2005 with his wife, Patricia, and her silent partner brother.
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The traffic dwindled as the show went into reruns, but the glossy imprint of Hollywood remains within the memory of those who revered the comedy series about an insecure local television news producer who will "make it after all!" as the theme-song crooned. Indeed, previous owners became so weary of gawkers that they stretched an "Impeach Nixon" sign beneath the apartment windows to dissuade television crews from filming supplementary exterior shots for each new season. Though Mary never actually entered the house during the show's original television run, the signature Palladian windows and iron balcony outside Mary's make-believe apartment drew thousands of drive-bys, usually from visitors to Minnesota whose hosts said they just had to see Mary's house before they left town.
That was the 1970s, when Mary Richards, played by actress and producer Mary Tyler Moore, lived in a fictional third-floor apartment at 2104 Kenwood Parkway, a backdrop for the enormously popular "The Mary Tyler Moore Show." Gerlach, an English teacher at Burnsville High School, and a crew of workers are putting final touches on a massive renovation that's making the house far more majestic than in Mary's day.
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